Beau is Afraid

‘Eddington’ is a Nuanced Take on 2020… Undercut by Its Own Sensationalism

Eddington is perhaps the most nuanced and genuinely satirical take on the COVID-19 pandemic and Americans’ response that we will ever see put to film… largely undercut by Ari Aster’s penchant for sensationalism. It is sure to piss off basically everyone on the political spectrum, and I suspect that’s part of the point. The real point, however, is one of opportunistic greed and the corruptive nature of power, one that most Americans can agree on. Which is why I find it a shame that the film shakes off its provocative-yet-grounded roots for a full-on hyperbolic ending. Obviously there will be [spoilers] in this post; if you’ve ever enjoyed an Aster film, I highly recommend seeing it before reading this. Love it or hate it, it is one of the most thought-provoking movies of the year.

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Top Ten Movies of 2023

2023 has been an extraordinary year for movies. Many masters of cinema of the past few decades gave us new entries into their canon, most of which were fantastic and in some cases may be one of their final entries. Looking at my list, I see a few patterns. 2023 was certainly an excellent year for the black comedy, particular mixing dramatic genres like horror, thriller or melodrama with dark humor. It is also a year of existential dread about the state of the world (what year isn’t, these days?), and how various people might approach their place in it. Of the 63 movies I saw in 2023, these were my favorites:

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